After being amazed by the vibrations of loose energy emanating from the peppy and apparently fun loving Goldie, I'm having difficulty finding the heart of the matter under the three layers of sarcasm presented with the post. What's the point? That she was sexually charged? Promiscuous? Not to be seen as valid? Part of the problem?
She was 23 years in 1968, and apparently willing to go along with whatever was required to float her boat, while those with more experience than she had in selling sex appeal for money, entertainment and advertising dollars saw fit to set her up to fulfill their needs and her wishes.
To many of her fans Hawn is frozen as the teenage ding-a-ling she played throughout the '60s on "Rowan & Martin's Laugh-In," a go-go dancer in a pixie haircut who was always flubbing her lines but still somehow seemed cooler than just a mere ditz. "Oh, she's so adorable," the women who come to her book reading at Olsson's downtown coo when she arrives. She still has those wide blue eyes that seem backlit and way too big for her tiny face; that same smudge of a mouth that stretches into a rectangle when she smiles; that same luminous shaggy blond hair falling down past her shoulders; that same big hoarse laugh she can summon whenever.
4 comments:
Goldie was so damned cute.
Sex sells and sex buys.
I didn't realize her legs are kind of short.
After being amazed by the vibrations of loose energy emanating from the peppy and apparently fun loving Goldie, I'm having difficulty finding the heart of the matter under the three layers of sarcasm presented with the post. What's the point? That she was sexually charged? Promiscuous? Not to be seen as valid? Part of the problem?
She was 23 years in 1968, and apparently willing to go along with whatever was required to float her boat, while those with more experience than she had in selling sex appeal for money, entertainment and advertising dollars saw fit to set her up to fulfill their needs and her wishes.
To many of her fans Hawn is frozen as the teenage ding-a-ling she played throughout the '60s on "Rowan & Martin's Laugh-In," a go-go dancer in a pixie haircut who was always flubbing her lines but still somehow seemed cooler than just a mere ditz. "Oh, she's so adorable," the women who come to her book reading at Olsson's downtown coo when she arrives. She still has those wide blue eyes that seem backlit and way too big for her tiny face; that same smudge of a mouth that stretches into a rectangle when she smiles; that same luminous shaggy blond hair falling down past her shoulders; that same big hoarse laugh she can summon whenever.
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