What is the worst thing about living near an open sewer? It is not that you sicken at the stench of it every time you leave your front door. It is that the noisome vapors are so pervasive, and you have lived with them so long, you no longer notice it. What is the worst thing about living in the rubble of a civilization? It is not that you shed a tear for the noble churches and courts and town halls you once knew, as you recall years filled with religious services, parades, block parties, and all the bumptious folderol of an ordinary civic life. It is that you do not even suspect that such things existed.
But how would it be if a time traveler were to go back behind the upheaval and let the people glance into the future? It’s a feature of the American narrative that in all respects things improve over time, so that you can point to vaccines that have eliminated such dreaded diseases as polio and tuberculosis, or to ribbons of highways that bind up the country, or to the machine on which I am writing this essay now—the computer that puts in my grasp a vast library of human knowledge.
Our time traveler reveals these things, and the eyes of his audience grow glassy with wonder. Imagine—the poems of Tennyson, a few seconds away! The Dorsey band in person, Van Cliburn on the piano, Paderewski on the violin, Rembrandt in bold color, great things for everyone and not only for the rich who can travel. But then you will have to explain. No, a thousand to one, ten thousand to one, the people who use the instrument will be gazing at pornography rather than at the Masters. Then you will have to explain the term “pornography:” smut. And say that most high school students will never have heard of Tennyson, much less read his poems, but that almost all of them will have gazed at smut, some of them day after day.
The faces of the audience darken. Then, one among them, wiser than the rest, asks the obvious question: “How then shall we live?”
There is a country road that straggles its way over a mountain nearby. Lovers go there and pull over at a lookout, where they listen to music and engage in what’s called “necking.” It never goes beyond that because most of them are pretty good kids and understand that bearing children is for marriage and so is the child-making thing. That understanding allows them to be there in the first place. Innocence—even such compromised and sometimes failing innocence as we possess in a healthy culture—makes for freedom. You will have to tell the audience that there is no necking anymore. You will tell them that, as a rule, it is either sex or nothing. For the worst or the weakest among us, then, there is danger and heartbreak and, eventually, the protective callus of nihilism—even the shedding of blood. For the purest among us, and the most responsible, there is loneliness.
They have dances all the time, don’t they? Merry things that bring out young people in flocks, chaperoned by their elders, who usually partake in the dancing too, since music and dance are shared by all. Hardly a week goes by without a big dance somewhere. You will tell them that that’s all gone. You will tell them that the older generation feels absolutely no duty to bring young people together in a healthy and decent way. They are too busy engaging in their own debauches or they are simply alienated. They wouldn’t know where to begin.
“Where is the sweetness of young love?” they ask you. “Don’t people get married anymore?” You point their attention to their streets. There are families in every house. Sometimes it’s a grandmother and grandfather whose children have moved “away,” to the next block over, or across town, or, since this is America, to the neighboring county. Otherwise, it’s a mother and father with children, and the children are everywhere. If the weather is fair, you can hear the music of their games. A boy covers his eyes with his hands and leans against a telephone pole, counting down from 100 by fives, till he cries out, “Ready or not, here I come!” Or is that a ball that’s scooting through the “outfield,” down the pavement, while the kids cry, “Go, go, go”? What crime can such a place fear, when the streets and alleyways and backyards and porches are governed by spies more restless than any the CIA have ever trained, not to mention their grandmothers rocking on their porches and chatting with one another? Tell them that that is gone. (
read the rest)
 |
| The perfect branch goes w/o a swing because the perfect couple inside goes w/o children |