Conservatism as Counterculture

Excerpt from the March 9, 2015, issue of National Review

There is now the phrase “movement conservative.” When I first heard it, I thought it oxymoronic. Conservatism is establishment and tradition, not protest and reform. But “movement” suggests struggle against injustice, the overcoming of some oppression. So it is telling that many conservatives now think of themselves as part of a “movement” and refer to one another as “movement conservatives.” A great irony that slowly emerged out of the turmoil of the 1960s is that conservatism became the new counterculture — a movement that was subversive in relation to the established liberal cultural order. And, continuing this irony, liberalism became the natural home of timid conventionalists and careerists — people who find it hard to know themselves outside the orthodoxies of mainstream “correctness.” And what is political correctness if not an establishment orthodoxy?

What drives this conservative “movement”? Of course there are the classic motivations — a commitment to free-market capitalism, smaller government, higher educational standards, the reinforcement of family life, either the projection of strength abroad or, conversely, a kind of isolationism, and so on. But overriding all of this is a cultural motivation that might be called the “pinch of stigma.” The special energy of contemporary conservatism — what gives it the dynamism of a movement — comes from conservative outrage at being stigmatized in the culture as the politics in which all of America’s past evils now find a comfortable home.

This stigmatization is conservatism’s great liability in an American culture that gives dissociation preeminence, that makes it the arbiter of all other social values. Contemporary conservatism is, first of all, at war with this cultural stigmatization. Its ideas always swim upstream against the perception that they only echo the racist, sexist, and parochial America of old — as if conservatism were an ideology devoted to human regression. For conservatives, it is, in the end, a bewildering war against an undeserved bad reputation. And how do you fight a bad reputation that always precedes you? (read the whole thing)

Goth Said Let It Be Dark

"Last week, “South Park” devoted an entire episode to mocking “those goth kids.” The compliment was perhaps backhanded, but it is a testament to the staying power of a countercultural identity that had its heyday in the mid-1990s. “Goth never truly dies,” said Lauren M.E. Goodlad, a professor at the University of Illinois, Urbana, and an expert on goth culture. “Part of its aesthetic is undeath.” And yet, the goth “look” remains surprisingly difficult to pin down. Contemporary goths put together a collage of styles drawn from a variety of fringe influences. “‘Wear that! Do this!’ That would be a goth’s worst nightmare,” Professor Goodlad said. “And I don’t mean that in a good way.”

Beginning paragraph of an article on the Style Section of the NY Times written by Jennifer Daniel and Alicia DeSantis.