The principal dancers are living the dance and making it up as they go, that's what is so incredible. It's entertainment value is gauged by blood pressure fluctuations, engaging because it means global power. It is remarkable how the performers disgust each other, even husband and wife, even boss and subordinate, yet reach out, connect, press a hand on the back of their partner and swing around and promenade, reach out again, press a hand again, swing and promenade so the shape is an 8 that connects to another partner and to a another swing and promenade as curiously engaging interconnected Möbius strips.
The show begins well before two jets touchdown but the audience does not see that. The crime syndicate principal meets with the highest justice official there is to discuss her role in the family's insinuation into presidency but the audience does not see that either. The audience does see the official's subordinate and head of his own investigative department describe the crime family's matriarch on television in scathing and damning prosecutorial terms then pass the responsibility to prosecute onto his boss, the highest justice official. The justice official's direct boss carries the crime family matriarch in his official transport and presents the crime family matriarch behind his presidential seal.
The anti-hero is a creep put forward for his creepy qualities that include slash and burn proclivities, and could even be a mole, so the audience's apprehensions are divided different ways.
"I'd pay money to see a show like that."
Whatever the cost, irrelevant to actors, we're already paying.